MC-Guide

Content Writing

Website 10: Hmhco.com

How Can You Earn Money Writing For “hmhco.com” Website

This guide shows you, step by step, how a beginner can learn to pitch and sell stories to hmhco.com.

You will learn what Hmhco.com wants, how to test your idea, how to write a pitch, and how payment roughly works. You can use this like a small SOP.

Houghton Mifflin Harcourt (HMH) — Beginner’s Guide

How to prepare and send manuscripts, art or illustration samples • plus practical routes to earn as an article/blog writer
Publishing Guide · HMH Beginner Friendly Practical + Actionable

How to submit manuscripts, artwork or illustrations to Houghton Mifflin Harcourt — and earn by writing

This guide walks a beginner through what HMH accepts, how to prepare manuscripts and artwork, important legal/rights checkpoints, alternate paid-writing routes, pitch templates, and a final checklist so you can confidently submit or pitch — and start earning from articles, guest posts, or book work.

Key primary sources for HMH submission rules and contacts are the company’s support pages and editorial imprint notes. (See the resources list at the end for direct links.) :contentReference[oaicite:0]{index=0}

Quick view: Houghton Mifflin Harcourt in one paragraph

K–12 curriculum, assessment, and educational content (HMH). Also a trade history (books for young readers) with several imprints.

Houghton Mifflin Harcourt (HMH) is an education-first publisher that creates K–12 curriculum, assessments, and teacher resources — and historically has included trade children’s imprints (books for young readers). Their corporate site and support pages offer the official contact points and policies for manuscript or artwork submissions. For core HMH help and support pages, see HMH’s customer support hub. :contentReference[oaicite:1]{index=1}

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What they publish (short)

Primarily K–12 curriculum and learning resources, plus specialist trade imprints for children’s books (historically Clarion, HMH Books for Young Readers, and newer imprints such as Versify).

Because HMH is large and has multiple divisions and imprint policies, always confirm submission rules on the specific imprint page or the HMH support article before sending anything. :contentReference[oaicite:2]{index=2}

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Where to look for submission info
  • HMH support portal — the official article “Submitting Manuscripts, Artwork or Illustrations.” :contentReference[oaicite:3]{index=3}
  • HMH corporate site — company, contact, and imprint pages. :contentReference[oaicite:4]{index=4}
  • Individual imprint pages (for example, Versify) — some imprints may accept direct email submissions or have specific contacts. :contentReference[oaicite:5]{index=5}

The short, practical answer

HMH’s support pages note that unsolicited manuscript submissions are generally not accepted across the company, with limited exceptions handled at the imprint level (for example, Versify has been known to accept queries via a provided email address). Always check the HMH support article first — and then the specific imprint (Versify, Clarion, etc.) for current, live instructions. :contentReference[oaicite:6]{index=6}

1
Reality check

Most large education publishers (including HMH) receive far more submissions than they can read

Because of that, many parts of HMH operate closed-to-unrequested-submissions policies — but imprints sometimes run open calls. If an imprint accepts submissions it will say so on their page or the HMH support article. Always start with HMH’s support article. :contentReference[oaicite:7]{index=7}

2
Practical step

If you have a children’s picture book or illustrations

Check imprint pages like Versify and look for contact emails or submission calls. Historically, Versify has been a place where queries were welcome via email (versify.info@hmhco.com) — but confirm the address on the current imprint page before sending. :contentReference[oaicite:8]{index=8}

Tip: If HMH says it won’t accept unsolicited submissions, the better route is to query an agent, submit to smaller paying markets first (to build clips), or use targeted open calls from imprints, festivals, or SCBWI showcases. :contentReference[oaicite:9]{index=9}

How to format, package and present your work — the editor-friendly way

Whether you aim at HMH or any large publisher, follow this short checklist to make your manuscript easy to read and evaluate by a busy editor.

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Manuscript basics
  • One file, clean formatting. Use a standard font (Times New Roman or Arial), 12 pt, double-spaced for prose unless an imprint requests otherwise.
  • Title page: title, your name, contact email, city, and short 1–2 sentence bio (3–5 lines max).
  • Header/footer: page numbers and manuscript title on each page (editors like this).
  • Word count: put it at the top of the manuscript or in the cover note (e.g., “Word count: 56,400”).
  • For nonfiction: include a one-page proposal, chapter outline, and sample chapters if requested.
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Files & attachments
  • Send plain DOC or DOCX unless the imprint asks for PDF. Avoid unusual file types.
  • If you include images in a children’s book submission, most publishers ask for copies, not originals; check the imprint instructions for artwork handling. :contentReference[oaicite:10]{index=10}
  • Label files clearly: lastname_title_ ms.docx or lastname_title_artwork.pdf.

What editors check first (so address these up-front)

  • Is the voice correct for the target reader? (age-range, curriculum need, classroom use).
  • Does the submission follow the imprint’s requested format? You will lose points if the submission ignores explicit instructions.
  • Are permissions needed? If you include third-party text or images you must document permissions — see the HMH permissions page. :contentReference[oaicite:11]{index=11}
If an HMH page asks for mailed copies or a physical package for art samples, follow it exactly. The support article lists the preferred channels and notes that unsolicited submissions may not always be accepted. :contentReference[oaicite:12]{index=12}

Preparing sample art, dummies, and illustration portfolios

Art and illustration are handled differently from text. Most houses ask for copies or tear sheets (not originals), a small selection of your best work, and clear labeling. The HMH support article specifically gives guidance on art samples and directs illustrators how to submit to design departments when open. :contentReference[oaicite:13]{index=13}

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What to include in an art sample
  • 5–12 of your strongest pieces (color copies, not originals unless asked).
  • A brief one-paragraph bio describing your style, software, or technique (watercolor, digital, mixed media).
  • A few consecutive pages/double spreads if you have picture-book dummies (include text if it’s part of the dummy; otherwise send art samples separately per instructions).
  • Portfolio link (Behance, ArtStation, personal site) for quick editor review.
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Mailing vs email vs portfolio links

If an imprint requests physical samples, do not send originals unless explicitly requested. Many design departments will accept printed tear sheets + a link to an online portfolio. Always check the imprint’s preferred contact method first. :contentReference[oaicite:14]{index=14}

Editors are overwhelmed with visual samples. Send only your best, ensure images are clearly labeled, and include a small, direct note telling them what you are offering (e.g., “Picture book dummy: 32-page picture book — full manuscript attached in PDF; art samples attached as JPEGs; online portfolio link: …”).

What you must understand before you sign anything

Large publishers like HMH will offer contract terms that include advances, royalty rates, and the rights they want (territory, formats, translations, subsidiary rights). Many questions arise about rights reversion, permissions, and what the publisher can do with your work — so pay attention to the contract language and consider getting professional advice if the terms are complex. HMH also has a permissions department to handle third-party rights requests. :contentReference[oaicite:15]{index=15}

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Key contract clauses to check
  • Rights granted: which rights are exclusive, which are limited (e.g., print worldwide, ebook worldwide, audio, translations).
  • Reversion: under what circumstances rights revert to you (out of print, sales thresholds, time limit).
  • Payment: advance amount, royalty splits, and payment schedule.
  • Subsidiary rights: film, TV, merchandising — who controls and how income is split?
  • Warranties: that you own or have cleared all material and permissions for included content.
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Practical suggestions
  • Before signing, ask for a clear plain-language schedule of payments (advance, royalties, when first payment comes).
  • If you are unsure about legal terms, request a contract redline period and consult a publishing lawyer or experienced agent.
  • Keep copies of all correspondence and the final signed agreement.
If you are submitting unsolicitedly and HMH declines to accept submissions broadly (as their support page notes), focus on building clips and approaching agents or imprints that advertise open calls. Also use resources like SCBWI and Writer Beware to avoid predatory offers. :contentReference[oaicite:16]{index=16}

Ready-to-use templates you can adapt

Below are short templates for common situations: (A) a short query to an imprint that accepts email queries, (B) a pitch to a magazine or blog editor for a paid article, and (C) an illustrator portfolio cover note. Edit the bracketed parts.

A

Short query email to an imprint (example for Versify if they accept queries)

Subject: Query: [Book Title] — [Age Range / Genre]
Hello [Editor name or “Versify Editor”],
I’m a [brief bio: e.g., “children’s author and teacher in Boston”] with [one-line credential or clip link]. I’m querying a [picture book / MG novel / YA novel] titled “[Book Title]” (approx. [word count]/[pages]).
Short pitch: [two–three sentence hook that explains the story, central conflict, and why it’s unique].
Attached: full manuscript (or sample pages) and a one-page synopsis. Online portfolio / clips: [link].
Thank you for your time — I’d be glad to send more if you’re interested.
Best,
[Your name] • [email] • [phone (optional)]

B

Magazine or blog article pitch (paid pieces)

Subject: Pitch: “[Headline / Working title]” — [Short descriptor]
Hi [Editor name],
Idea (one-line): [What story or how-to you’ll write and who it’s for.]
Why it matters (two lines): [Problem + why readers care].
Planned structure (bullets): 1) [section 1], 2) [section 2], 3) [result / conclusion].
Why me: [1–2 lines: relevant experience, prior clips with links].
Estimated length: [X words]. Images: I can provide screenshots, original photos, or diagrams.
Thanks for considering — I can send an outline or 500–800 word sample.
[Your name] • [link to clips / portfolio] • [email]

C

Illustrator portfolio cover note

Subject: Portfolio submission: [Your Name] — [medium/style]
Dear [Art Director],
I’m an illustrator working in [medium]. I’m sending [5–8] portfolio images (attached), plus a link to my online portfolio: [link]. I specialize in [children’s picture books / chapter book interiors / covers]. If there’s an open illustration call, I’d love to be considered.
Thank you,
[Your name] • [website / Instagram / Behance] • [email]

Always personalize the editor’s name and show you read their imprint’s list or style. Editors can tell when a pitch is cut-and-paste.

If HMH is closed to unsolicited work — how to build clips and earn now

Many writers turn to blogs, specialist magazines, paid platforms, and small publishers to build a portfolio and earn money while aiming for larger houses later. The table below lists approachable options and why they matter.

Route Why it helps How to start
Dev.to / Medium / Substack Fast publishing, control, potential paid subscribers (Medium Partner), portfolio pieces Write 1500–2500 word tutorials or explainers, cross-post with permission, include clippable projects
Paid tech & trade outlets (SitePoint, A List Apart, The Write Life) Paid per article and audience of editors who may notice your work Read their “write for us” pages, study recent posts, pitch focused articles. (Example: SitePoint has clear contributor guidance.)
Small magazines & local publications Build clips, editorial experience, faster turnaround Find paying markets on Reedsy, Duotrope, or paid-market lists; pitch local education magazines
Freelance marketplaces (Upwork, Fiverr) Client work pays and builds practical experience Create clear gig descriptions for blog posts, educational content, or curriculum writing
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Helpful starting points & marketplaces

Use resources such as Reedsy’s publisher lists and the Writer Beware blog to research publishers before you submit (avoid predatory offers). :contentReference[oaicite:17]{index=17}

Short checklist before you hit send — and a long resource list

Official HMH & permissions pages (start here) Helpful industry resources (research, avoid scams, learn process)
Final thought: start small, build clips, follow imprint rules exactly, and keep records. If HMH is not taking unsolicited manuscripts at the time you check, use the alternate routes above to earn and build the portfolio an imprint will notice.

Sources: HMH support & corporate pages; Versify editorial listings; HMH Permissions pages; industry resources (Reedsy, SCBWI, Writer Beware, Publishers Weekly). Use the links above to open the primary pages we relied on. If an HMH imprint shows a different submission path today, follow the imprint instructions — those are the definitive rules.

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